Hi readers,
Well, let's reminisce with something which is just beautiful - and very John!
Uploaded to YouTube by Roman Sorokin
Learn all about hippie fashion, culture and music from the 1960s and 1970s.
Sunday, December 16, 2012
Friday, December 14, 2012
Wear 70's Hair Styles: Types of Hair Trends in the Seventies
Billy Preston (Wikipedia) |
If you want to look like you've been taken out of the fashion magazines of the 70's, grow your hair naturally.
The natural look is one of the most popular beauty trends of this decade, especially when it comes to hair styles.
Back then, everyone allows his hair to grow to enjoy a full afro. Others with long and straight hair keep it naturally straight.
Another type of hair style is the wind-swept look. Actually, some hair styles that flourished in the 70s are still popular these days, such as straight hair; which a lot of women love to maintain.
Here are some of the popular 70's hairstyle trends, and will as tips on how you can enjoy them today:
1. Afro Look
Back in the old days, people with African roots proudly displayed their heritage by sported huge afros. The style was a big hit in the 1970's because of its natural appearance. People with extremely curly hair only need to let them grow and they will enjoy a beautiful and proud Afro do.
You can try enhancing the natural kink in your Afro hair by refining it by a pick. You need to pull through your hair with the pick, and fluff your Afro hairdo to go up and flare while ensuring that the natural kink is in place.
2. Shag
This is the hairstyle that was popularized by Farrah Faucet in the 70's. The style is very simple - all you need to do is have your hair layered at the tips in order to achieve it. Women of today with hair of any length can sport this hairstyle.
Styling your hair into shag is easy by doing some simple layering. Just make sure that you don't overdo it as the "chaotic look" might go out of hand. And since your hair should look like it is windblown, you will seldom need to comb your hair.
3. Natural Look
Natural hair style was also a hit in the 70's. Back then, everyone decided to let her straight hair down. However, those with wavy locks had more problems making them straight, as the only recourse then was a straightening iron. These days, getting a straight natural look is easier, what with the many available straightening options offered by hair salons.
4. Page boy hairdo
Finally, one of the most popular beauty trends from the 1970's when it comes to hair style is the page look, which is a basic short or medium length hair with bangs and hangs up to the area of the ears. Page boy look has striking similarity to the Egyptian look.
The pageboy hairstyle, which is now becoming popular again among younger women, can be achieved by cutting the front hair to form bangs. Get the proper length at the back by getting a quick haircut at the salon.
The author is an experienced fashion blogger with many years in the fashion industry. She is a regular guest writer for many top blogs and websites as well as local and national print publications. Additionally, she specializes in reviewing some of today's hottest trends in fashion accessories and clothing. Follow Clarissa Seaton on Google+.
Article Source: http://EzineArticles.com/?expert=Clarissa_Seaton
http://EzineArticles.com/?Wear-70s-Hair-Styles---Types-of-Hair-Trends-in-the-Seventies&id=7419765
Wednesday, December 12, 2012
India Sitar Maestro Ravi Shankar Dies
by BBC News: http://www.bbc.co.uk/news/world-asia-india-20690632
Indian sitar maestro Ravi Shankar has died in a hospital in the US, aged 92.
Shankar was admitted to the Scripps Memorial Hospital in San Diego last week after complaining of breathing difficulties, reports say.
Shankar, who helped bring Indian music to the world, played at Woodstock and the 1967 Monterey Pop festival.
His daughters, sitar player Anoushka Shankar and Grammy award winning singer Norah Jones, are also acclaimed musicians.
Shankar - a three time Grammy winner - and Anoushka had been nominated for the 2013 Grammy awards in the world music category.
Ravi Shankar popularised the sitar - a long-necked Indian lute - and gained widespread international recognition because of his association with George Harrison of The Beatles.
Harrison once called him "the godfather of world music".
Shankar also composed a number of film scores - notably Satyajit Ray's celebrated Apu trilogy (1951-55) and Richard Attenborough's Gandhi (1982) - and collaborated with US composer Philip Glass in Passages in 1990.
In 1999 he was awarded the highest civilian citation in India - the Bharat Ratna, or Jewel of India.
Born into a Bengali family in the ancient Indian city of Varanasi, Ravi Shankar was originally a dancer with his brother's troupe.
He gave up dancing to study the sitar at the age of 18.
For the last years of his life, Ravi Shankar lived in Encinitas, California, with his wife Sukanya.
Indian sitar maestro Ravi Shankar has died in a hospital in the US, aged 92.
Shankar was admitted to the Scripps Memorial Hospital in San Diego last week after complaining of breathing difficulties, reports say.
Shankar, who helped bring Indian music to the world, played at Woodstock and the 1967 Monterey Pop festival.
His daughters, sitar player Anoushka Shankar and Grammy award winning singer Norah Jones, are also acclaimed musicians.
Shankar - a three time Grammy winner - and Anoushka had been nominated for the 2013 Grammy awards in the world music category.
Ravi Shankar popularised the sitar - a long-necked Indian lute - and gained widespread international recognition because of his association with George Harrison of The Beatles.
Harrison once called him "the godfather of world music".
Shankar also composed a number of film scores - notably Satyajit Ray's celebrated Apu trilogy (1951-55) and Richard Attenborough's Gandhi (1982) - and collaborated with US composer Philip Glass in Passages in 1990.
In 1999 he was awarded the highest civilian citation in India - the Bharat Ratna, or Jewel of India.
Born into a Bengali family in the ancient Indian city of Varanasi, Ravi Shankar was originally a dancer with his brother's troupe.
He gave up dancing to study the sitar at the age of 18.
For the last years of his life, Ravi Shankar lived in Encinitas, California, with his wife Sukanya.
Labels:
1960s and 1970s Icons,
1970s culture,
Tributes
Monday, December 10, 2012
Dave Brubeck Dies: Longtime Giant of Jazz Changed Music Forever
Dave Brubeck, TIME, 8/11/1954 (Wikipedia) |
HARTFORD, Conn. - Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as "Take Five" caught listeners' ears with exotic, challenging rhythms, has died. He was 91.
Brubeck, who lived in Wilton, died Wednesday morning at Norwalk Hospital of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 today.
Brubeck had a career that spanned almost all American jazz since World War II.
He formed the Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine - on Nov. 8, 1954 - and he helped define the swinging, smoky rhythms of 1950s and '60s club jazz.
George Wein, a jazz pianist and founder of the Newport Jazz Festival, had known Brubeck since he first worked in Wein's club in Boston in 1952. "No one else played like Dave Brubeck," he said. "No one had the approach to the music that he did. That approach communicated."
Brubeck "represented the best that we can have in jazz," he added. "The quality of his persona helped every other jazz musician."
The seminal album "Time Out," released by the quartet in 1959, was the first million-selling jazz LP, and is still among the best-selling jazz albums of all time. It opens with "Blue Rondo a la Turk" in 9/8 time - nine beats to the measure instead of the customary two, three or four beats.
A whirlwind of piano and saxophone based loosely on a Mozart piece, "Blue Rondo" eventually intercuts between Brubeck's piano and a more traditional 4/4 jazz rhythm.
The album also features "Take Five" - in 5/4 time - which became the group's signature theme and even made the Billboard singles chart in 1961. It was composed by Brubeck's longtime saxophonist, the late Paul Desmond. "When you start out with goals - mine were to play polytonally and polyrhythmically - you never exhaust that," Brubeck said in 1995.
"I started doing that in the 1940s. It's still a challenge to discover what can be done with just those two elements."
After service in World War II and study at Mills College in Oakland, Calif., Brubeck formed an octet including Desmond on alto sax and Dave van Kreidt on tenor, Cal Tjader on drums and Bill Smith on clarinet.
The group played Brubeck originals and standards by other composers, including some early experimentation in unusual time signatures. The groundbreaking album "Dave Brubeck Octet" was recorded in 1946.
To read further, go to: http://www.freep.com/article/20121206/ENT04/312060100/Dave-Brubeck-dies-Longtime-giant-of-jazz-changed-music-forever
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Tributes
Sunday, December 9, 2012
VIDEO: Daevid Allen - Rich Girl
Hi readers,
Classic alert! This track is from 1967 and is of Daevid Allen in his pre-Gong days from the album Banana Moon.
Downloaded to YouTube by itsthemojitsthemoj
Classic alert! This track is from 1967 and is of Daevid Allen in his pre-Gong days from the album Banana Moon.
Downloaded to YouTube by itsthemojitsthemoj
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Videos
Saturday, December 8, 2012
Chick Corea Discography
Chick Corea in 2009 (Wikipedia) |
Chick Corea started his recording career back in 1962.
The very first album in the Chick Corea discography was recorded with Mongo Santamaria Afro-Latin Group. He was twenty one years old.
Chick Corea has played with some of the very best Jazz Musicians around the world which includes: Herbie Hancock, Miles Davis, Stanley Clark, Herbie Mann, Stan Getz and so many more.
His discography spans over six decades with over 80 recordings which is an amazing accomplishment.
Chick was an innovator of blending the jazz sound with the rock sound giving what is known today as fusion or jazz fusion.
One of my favorite collections and probably my first exposure to Chick Corea was the Return to Forever "Romantic Warrior" album. This was the bands best selling album which reached total sales of 500,000.
I remembering listening to and it was different but very interesting and stimulating to listen to. The band Return To Forever recorded nine records and had some of the best players like Al Demiola on guitar and Stanley Clark on bass.
In 1986 Chick formed a band called the Elektric Band and the band recorded eight cd's. "Beneath The Mask" is one of my favorites. It peaked at number two on Billboards Top Contemporary Jazz Albums chart.
From 1967 - 1974, Chick recorded 11 albums with Miles Davis who was one of the greatest bebop trumpeters ever. It seemed to be a great combination when Chick Corea joined up with Miles Davis. I wish I could have seen it.
Miles Davis album "In a Silent Way" started experimenting with electric instruments, (guitar/piano) and continued with those electric instruments in "Bitches Brew". With Chick Corea on electric piano, this became Miles Davis's first gold album and eventually won a Grammy award.
In 1976, Chick made a spontaneous visit to Spain in where he fell in love with the flamenco culture. With that love and the influence of the flamenco culture, he used that blend of Latin-jazz as a theme for the album "My Spanish Heart".
One of the songs entitled "Armandos Rhumba" was a tribute to his father. In this song he added a bit of salsa music which is a genre that wasn't embraced until years later. This album had a wide appeal to many.
For kids and those of us who were kids, the Chick Corea discography includes a solo album called "Children's Songs" and he also did the sound track for Happy Anniversary Charlie Brown. Chick recorded a total of nine solo albums.
With such a great discography and decades of musical influence, I don't now of any other musician that has a Best of and a Very Best of album/cd in their discography. Only the great ones do.
Whether you're a fan of Chick Corea or not, there is no disputing that Chick was an innovator and a pioneer for what is now called jazz-fusion.
If you like Chick Corea than you might also want to check out and enjoy listening to Dave Panico. He's a saxophonist that blends, jazz, rock, Latin types of rhythms into his music. Click here to download a copy of one of his songs for free.
Article Source: http://EzineArticles.com/?expert=Dave_J_Panico
http://EzineArticles.com/?Chick-Corea-Discography&id=7374539
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture
Friday, December 7, 2012
SPECIAL NOTICE: Dave Brubeck Died at 91
David Warren "Dave" Brubeck (December 6, 1920 - December 5, 2012) was an American jazz pianist.
He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke".
Brubeck's style ranged from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills.
His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities.
His long-time musical partner, alto saxophonist Paul Desmond, wrote the saxophone melody for the Dave Brubeck Quartet's best remembered piece, "Take Five" [1] which is in 5/4 time and has endured as a jazz classic on one of the top-selling jazz albums, Time Out [2].
Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8.
He was also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as Mr. Broadway and the animated mini-series This Is America, Charlie Brown.
Wednesday, December 5, 2012
Bob Marley's Music Career
Bob, Peter, Bunny & Rita (Wikipedia) |
Jobs became scarce in Jamaica and Bob decided to follow his mother to look for employment in the city. He went to stay in Trench town.
In town, he spent most of the time with his friend Neville Livingstone and this is when he became exposed to music. Bob and Neville Livingstone learnt music in the same class. In the class they met Peter Macintosh and became friends.
During that time Jamaican music was evolving and becoming popular in Caribbean. Bob's music career started when he was sixteen years old. Music was the only good way of making money in Jamaica especially to many young Jamaicans.
Jimmy Cliff is one of the young Jamaicans who recorded a few hits in Jamaica and became popular. After Bob Marley met Jimmy, he was introduced to Leslie Kong a producer. He started working with Bob and followed his advice. Bob's musical career started to shine more brightly than any other young Jamaican and he recorded his first single known as "Judge Not". Bob stopped working with Kong after she refused to pay him.
The next year Bob Marley, Bunny and other friends, created the Wailing Wailers. After a few recording sessions, two members decided to quit the band. The band moved on and was introduced to Clemt Dodd. He used to be a local producer at Coxsone Company.
The Wailers recorded their first song with Clemt Dodd known as "Simmer Down", which became popular in Jamaica. The company gave the band several talented Ska musicians, to help in recording most of their songs.
During that time, the Wailing Wailers were comprised of three members Peter Tosh, Bunny and Bob Marley. They became popular locally. The Wailing Wailers recorded more songs with the record label and Bob became the leader and songwriter of the group.
The life of Bob Marley went on to become bright; he married Rita Anderson in 1966. After marrying Rita, Bob went to America to visit his mother, who stayed in Delaware. He later went back to Jamaica and changed the Wailing Wailers music from Ska to Rock.
This change did not go well, with the record company because the company wanted only a Ska band. This forced the band to leave the record label. Bob and other members changed the name of the band from Wailing Wailers to The Wailers. Instead of searching for a new label, the group created their own which was known as "Wail N' Soul.
In 1970, two members joined the band Carleton and Barret. In the Caribbean, The Wailers were very famous but they were not known internationally. The Wailers, created another label known as Tuff Gong. After forming this label, the band met Johnny Nash and Bob went with Nash to Sweden.
Bob Marley recorded a single known as "Reggae on Broadway" in London which was released by CBS. The other Wailers members went to London, to promote the single. When they were in London, they discovered that they did not have money and they became stranded in London. To be continued.
Buy rare Bob Marley tees at Alt-Tshirts.com for cheap. Our prices on vintage band T-shirts start from $16. It is affordable.
Article Source: http://EzineArticles.com/?expert=Sharon_Blue
http://EzineArticles.com/?Bob-Marley-Music-Career&id=7377317
Tuesday, December 4, 2012
Stephen Stills Breaks Silence on Short-Lived Buffalo Springfield Reunion: 'We didn't Go To All That Trouble for Seven Shows,' Singer Says
by Rolling Stone: http://www.rollingstone.com/music/news/stephen-stills-breaks-silence-on-short-lived-buffalo-springfield-reunion-20121105?utm_source=dailynewsletter&utm_medium=email&utm_campaign=newsletter#disqus_thread
As Rolling Stone has previously reported,
Buffalo Springfield were originally slated for a 30-date reunion tour
this year - until Neil Young decided to devote his attention to a new
project with Crazy Horse.
"I'd be on a tour of my past for the rest of fucking time," Young said in June. "I have to be able to move forward. I can't be relegated. I did enough of it for right then."
In a new interview with Rolling Stone, Stephen Stills breaks his silence about the aborted Buffalo Springfield reunion. "We were supposed to work for most of the summer," he says. "It left me in a lurch for three quarters and ruined my financial planning. Also, 150 people got laid off that were supposed to work on the tour."
The surviving members of Buffalo Springfield re-formed after 42 years to play Young's 2010 Bridge School Benefit. The next year they played seven shows, including a set at Bonnaroo. "We didn't go all that trouble for seven shows," Stills says. "That's what impetuosity will do for you. You can't go off half-cocked ... when Neil is involved with anything you need a seatbelt."
Graham Nash recently explained to New York radio station Q104.3 that Crosby and Nash had originally planned on touring this past summer as duo.
"A Buffalo Springfield tour was canceled by Neil," said Nash. "It left Stephen in a hole in many ways: friendship-wise, work-wise, financial-wise. It left him in a huge hole. When David and I heard that we went over to Stephen and we told him we would cancel every Crosby and Nash gig and go out as Crosby, Stills and Nash. We were there for him because we love Stephen Stills. Not only because he's a good friend, but because he's an insanely talented musician."
Despite the change of plans, Stills says he isn't angry at Young. "He was very kind to me in his book," he says. "I can't be unkind about it ... working with Neil is a privilege, not a right." Young did say that Buffalo Springfield isn't necessarily dead forever. "There is the seed of something great still there," he said. "It's worth exploring again."
Does Stills think they might tour again one day? "For the purpose of this interview," he says. "No."
Cover of Buffalo Springfield |
"I'd be on a tour of my past for the rest of fucking time," Young said in June. "I have to be able to move forward. I can't be relegated. I did enough of it for right then."
In a new interview with Rolling Stone, Stephen Stills breaks his silence about the aborted Buffalo Springfield reunion. "We were supposed to work for most of the summer," he says. "It left me in a lurch for three quarters and ruined my financial planning. Also, 150 people got laid off that were supposed to work on the tour."
The surviving members of Buffalo Springfield re-formed after 42 years to play Young's 2010 Bridge School Benefit. The next year they played seven shows, including a set at Bonnaroo. "We didn't go all that trouble for seven shows," Stills says. "That's what impetuosity will do for you. You can't go off half-cocked ... when Neil is involved with anything you need a seatbelt."
Graham Nash recently explained to New York radio station Q104.3 that Crosby and Nash had originally planned on touring this past summer as duo.
"A Buffalo Springfield tour was canceled by Neil," said Nash. "It left Stephen in a hole in many ways: friendship-wise, work-wise, financial-wise. It left him in a huge hole. When David and I heard that we went over to Stephen and we told him we would cancel every Crosby and Nash gig and go out as Crosby, Stills and Nash. We were there for him because we love Stephen Stills. Not only because he's a good friend, but because he's an insanely talented musician."
Despite the change of plans, Stills says he isn't angry at Young. "He was very kind to me in his book," he says. "I can't be unkind about it ... working with Neil is a privilege, not a right." Young did say that Buffalo Springfield isn't necessarily dead forever. "There is the seed of something great still there," he said. "It's worth exploring again."
Does Stills think they might tour again one day? "For the purpose of this interview," he says. "No."
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Tributes
Saturday, December 1, 2012
OPINION: The 3 Best Traditional Blues Songs of All Time
Cover of Lead Belly |
I have played in 2 rock and blues bands - Blue Dynamos and Smokin' Joe and the Wolves. We have covered a lot of blues songs and I have written a few of my own.
The question is; which are the 3 best traditional blues songs of all time? Here is my list. I suggest that the top 3 are:
Hellhound on My Trail
Robert Johnson is considered by some to be the greatest bluesman of all time. It is hard to choose which of his songs is the best as there are so many great ones. It is reported that Johnson "sold his soul to the devil" for the ability to play the blues.
This song is representative of his life as Johnson never permanently settled down and is rumoured to have been poisoned to death by a jealous juke joint owner. Robert had a habit of consuming alcohol and picking out a female patron and staring at her during his performances. In this case, the female was the wife of the bar owner and he was pouring the drinks. A bad match for Robert!
This song was the first song on Robert's second and last recording session and was released as a single. Eric Clapton has travelled to the locations of both of Johnson's recording sessions and has tried to replicate his sound. It proved impossible but the 2 Cd's and the DVD that resulted from these sessions are worth the price of acquisition for any lover of the blues.
I'm a King Bee
Written by Slim Harpo and released in 1957, this song contains all of the elements of the form of blues found in many negro clubs in America. That style of blues was highly suggestive and this song is loaded with double entendre. Recorded by many artists including the Rolling Stones on their 1964 debut album, the song is probably Slim's best and most recognized recording. Slim received a Grammy Hall of Fame Award in 2008
Midnight Special
Huddie Ledbetter aka "Lead Belly" was convicted of carrying a pistol for his first offense, of murder for his second offense - was pardoned by the Governor - and for attempted murder for stabbing a man in a fight as a third offense. Although both a folk singer and a bluesman, this song is one of his most memorable and certainly resonates with elements of Leadbelly's colourful life.
This song was really rocked up by the American band Credence Clearwater Revival and introduced to a whole new audience, many of whom had never heard of Leadbelly. Had it not been for folklorists John Lomax and his son Alan, Huddie would most certainly have remained in jail for the remainder of his life. The author is unknown and is likely to have been learned by Leadbelly during his time in prison. It has been recorded by numerous bluesmen.
Whether or not you agree with my picks, there can be no argument that these are some of the best traditional blues songs of all time. If you like blues or folk songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com He has covered traditional folk songs and writes his own. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-Traditional-Blues-Songs-of-All-Time&id=7379318
Friday, November 30, 2012
OPINION: The 3 Best Classic Southern Rock Songs of All Time
by Joe T Wiseman
The proof of the greatness of Southern rock music can be found in any music store where re-releases of albums from the past with the label "digital re-master" drives the collector to purchase this great music - one more time!
I have often been involved in discussions about what songs were the greatest. The question is: which are the 3 best Southern classic rock songs of all time? Here is my list. I suggest that the top 3 are:
Free Bird
Lynyrd Skynyrd is arguably the best of the Southern rock bands of the seventies. Had not Ronnie Van Zandt and two other members perished in a plane crash, one can only hazard a guess as to how many more songs would have endured as long as this one.
It is not only a great song but it contains one of the greatest extended guitar solos of any genre. It starts as a ballad and is the only guy-girl love song written by front man Johnnie Van Zandt and guitarist Allen Collins.
It is one of few songs where the title is mentioned only one time but is forever etched in the memory of guitar enthusiasts. Guitar World magazine, in 2008, listed the guitar solo as one of the three greatest of all time in any genre. Sweet Alabama, another Lynyrd Skynyrd song, could easily make this list as well
Can't You See
Released in 1973 by the Marshall Tucker Band and written by band member Toy Caldwell, this song was also the band's first single and peaked at number 75 on the Billboard Hot 100. The Waylon Jennings version of the song peaked at number 4 on the Billboard Hot Country Singles Chart in 1976. It reached number 1 on the RPM Country charts in Canada.
It is one of the few rock songs, other than Jethro Tull, which feature a flute solo as an intro. It is instantly recognizable because of this solo. It is also virtually impossible to listen to the song in any large gathering without singing along to the solo and rocking your body in time to the beat.
La Grange
"La Grange" was released in 1973 by ZZ Top and is easily one of their most recognized songs. The subject of the song was a brothel in Texas which was later the subject of the movie "The Best Little Whorehouse in Texas."
It is unfortunate that ZZ Top never got to play in "Miss Edna's boarding house" in La Grange Texas, nor that their song wasn't in one of the opening scenes in the movie about that illustrious establishment. It certainly stands as a standard of Southern rock and the Gibson Les Paul as the centerpiece of the sound of ZZ Top.
Whether or not you agree with my picks, there can be no argument that these are some of the best Southern Classic rock songs of all time. If you like rock and folk songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com He has covered traditional folk and rock songs and writes his own. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-Classic-Southern-Rock-Songs-of-All-Time&id=7383005
The proof of the greatness of Southern rock music can be found in any music store where re-releases of albums from the past with the label "digital re-master" drives the collector to purchase this great music - one more time!
I have often been involved in discussions about what songs were the greatest. The question is: which are the 3 best Southern classic rock songs of all time? Here is my list. I suggest that the top 3 are:
Free Bird
Lynyrd Skynyrd is arguably the best of the Southern rock bands of the seventies. Had not Ronnie Van Zandt and two other members perished in a plane crash, one can only hazard a guess as to how many more songs would have endured as long as this one.
It is not only a great song but it contains one of the greatest extended guitar solos of any genre. It starts as a ballad and is the only guy-girl love song written by front man Johnnie Van Zandt and guitarist Allen Collins.
It is one of few songs where the title is mentioned only one time but is forever etched in the memory of guitar enthusiasts. Guitar World magazine, in 2008, listed the guitar solo as one of the three greatest of all time in any genre. Sweet Alabama, another Lynyrd Skynyrd song, could easily make this list as well
Can't You See
Released in 1973 by the Marshall Tucker Band and written by band member Toy Caldwell, this song was also the band's first single and peaked at number 75 on the Billboard Hot 100. The Waylon Jennings version of the song peaked at number 4 on the Billboard Hot Country Singles Chart in 1976. It reached number 1 on the RPM Country charts in Canada.
It is one of the few rock songs, other than Jethro Tull, which feature a flute solo as an intro. It is instantly recognizable because of this solo. It is also virtually impossible to listen to the song in any large gathering without singing along to the solo and rocking your body in time to the beat.
La Grange
"La Grange" was released in 1973 by ZZ Top and is easily one of their most recognized songs. The subject of the song was a brothel in Texas which was later the subject of the movie "The Best Little Whorehouse in Texas."
It is unfortunate that ZZ Top never got to play in "Miss Edna's boarding house" in La Grange Texas, nor that their song wasn't in one of the opening scenes in the movie about that illustrious establishment. It certainly stands as a standard of Southern rock and the Gibson Les Paul as the centerpiece of the sound of ZZ Top.
Whether or not you agree with my picks, there can be no argument that these are some of the best Southern Classic rock songs of all time. If you like rock and folk songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com He has covered traditional folk and rock songs and writes his own. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-Classic-Southern-Rock-Songs-of-All-Time&id=7383005
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Opinion
Wednesday, November 28, 2012
OPINION: Who? Three Great Stratocaster Players That Will Surprise You
Cover of Bonnie Raitt |
If you know anything about rock and roll guitar, you've heard of the Fender Stratocaster, and you've probably got a pretty good idea as to the identities of the great stratocaster players.
Eric Clapton, David Gilmour, and, of course, Jimi Hendrix usually top the list.
But, as great as these guys are, they've been discussed a lot over the last several decades, and sometimes it can be more fun to look a little off the beaten path and check out some cool players you might not immediately associate with the Strat.
1) Mark Knopfler
What's Mark Knopfler doing on this list? Wasn't he practically known for his iconic Strat tone in the late '70s? Well, yes. One listen to "Sultans of Swing" or "Southbound Again" will instantly tell you exactly what Leo Fender had in mind when he built his first Strat in 1954.
However, I'd argue that Mark Knopfler and Dire Straits had such a monster success in 1984 with "Money for Nothing", which was famously played on a Gibson Les Paul - the anti-Stratocaster - that it obliterated his original tonal identity. Ask most guitarists today and they'll tell you that Knopfler's a Gibson guy.
2) Bonnie Raitt
Unlike Knopfler, Bonnie Raitt has been faithful to her Fender Strat (whether her newer blue signature model or her paint-stripped Old Faithful) for her entire career. However, she's such an incredible singer and song interpreter that I'd wager 75% of her audience doesn't even know she can play guitar.
Too bad for them. Bonnie is one of the two wickedest slide guitarists on the planet, with a sultry, buzzy tone and enough taste to always play only the perfect lick in the perfect spot.
3) Ry Cooder
If Bonnie Raitt is one of the two wickedest slide guitarists on the planet, Ry Cooder is definitely the other one. Ry matches Bonnie's levels of tone and taste, but probably one-ups her in terms of pure technique and assassin's flair: check his intro to "All Shook Up" on Get Rhythm for a clinic on greasy bottleneck aggression.
Ry's main axe is a Frankenstein guitar with a custom neck and the pickup from a WWII-era Oahu lap steel guitar, which he chopped out of its original location and crammed into a sunburst Strat body. Run through a completely tricked-out rig that's reputed to include a reverb spring floating in used motor oil, Ry's Oahu Strat sounds like no other.
Obviously, there are a ton of other great Stratocaster players out there, and you're probably ready to argue with me over the ones I've left out! However, I'm still going to say that if you take the time to check these three out, you won't be disappointed.
If you're a guitar fan who likes to hear solid Stratocaster playing in the context of great songs, you might dig singer/songwriter Radio Nowhere, who's been described as "the missing link between Mark Knopfler and Counting Crows".
Click here to download a free three-pack of Radio Nowhere's best songs.
Article Source: http://EzineArticles.com/?expert=James_L._Flynn
http://EzineArticles.com/?Who?-Three-Great-Stratocaster-Players-That-Will-Surprise-You&id=7382826
Labels:
1960s and 1970s Icons,
Opinion,
Tributes
Tuesday, November 27, 2012
SPECIAL NOTICE: Rolling Stones Turn Back Clock With Hit-Filled Comeback Show
by Mike Collett-White, Reuters, NBC News: http://entertainment.nbcnews.com
LONDON - The Rolling Stones turned back the clock in style on Sunday with their first concert in five years, strutting and swaggering their way through hit after familiar hit to celebrate 50 years in business.
The Rolling Stones at O2 Arena, London, Nov. 25 (Toby Melville/Reuters) |
More than two hours of high-octane, blues-infused rock later, and they were still going strong with an impressive encore comprising "You Can't Always Get What You Want" and "Jumpin' Jack Flash."
In between there were guest appearances from American R&B singer-songwriter Mary J. Blige, who delivered a rousing duet with Jagger on "Gimme Shelter" and guitarist Jeff Beck who provided the power chords for "I'm Going Down."
Former Rolling Stones Bill Wyman and Mick Taylor were also back in the fold, performing with the regular quartet of Jagger, Ronnie Wood and Keith Richards on guitar and Charlie Watts on drums for the first time in 20 years.
"It took us 50 years to get from Dartford to Greenwich!" said Jagger, referring to their roots just a few miles from the venue in southeast London. "But you know, we made it. What's even more amazing is that you're still coming to see us ... we can't thank you enough."
The Sunday night gig was the first of two at the O2 Arena before the band crosses the Atlantic to play three dates in the United States. The mini-tour is the culmination of a busy few months of events, rehearsals and recordings to mark 50 years since the rockers first took to the stage at the Marquee Club on London's Oxford Street in July, 1962.
There has been a photo album, two new songs, a music video, a documentary film, a blitz of media appearances and a handful of warm-up gigs in Paris.
To read further, go to: http://entertainment.nbcnews.com/_news/2012/11/25/15435803-rolling-stones-turn-back-clock-with-hit-filled-comeback-show
Monday, November 26, 2012
SPECIAL NOTICE: New Jimi Hendrix Album for 2013!
by Retro:Kimmer.com: http://www.retrokimmer.com/2012/11/new-jimi-hendrix-album-for-2013.html
Hulton Archive
It hardly seems possible, given how aggressively his vaults have been mined for material over the years, but we can expect yet another album from Jimi Hendrix next year.
Rolling Stone reports that the new set, dubbed ‘People, Hell and Angels,’ consists of 12 previously unreleased songs that were recorded during 1968-69 while Hendrix worked as a solo artist apart from the Experience.
Describing the tracks as going in “new, experimental directions,” RS says the sessions were planned for inclusion in Hendrix’s never-released ‘First Rays of the New Rising Sun,’ the record he was working on at the time of his death in 1970.
It sounds like Hendrix was moving in a more layered direction, incorporating a second guitar into the mix, along with horns, keyboards, and percussion.
FULL STORY HERE
Labels:
1960s and 1970s Icons,
Hippie Style,
Special Notice
Saturday, November 24, 2012
Pondering the Mystery of Cat Stevens Moonshadow
The Very Best of Cat Stevens (Wikipedia) |
One of the biggest hits on the charts back in the day of its release was Cat Stevens Moonshadow. I loved the song as I did all of Cat Stevens' songs.
Yet, I remember thinking even back then in my high school days that this particular lyric was a bit odd; I would say even hauntingly weird.
First of all, what the heck is a "moonshadow"? Well, I think I got that. That's the shadow cast from oneself at night if the moon is shining bright. O.K. That was easy!
But then he goes on about losing his hands, his legs, his eyes, his mouth and everybody I knew could sing this lyric of dismemberment like they were singing "Happy Birthday."
It was a lyric slightly reminiscent of "Three Blind Mice." You remember that one! "She cut off their tails with a carving knife"? No Problem. A woman is mutilating handicapped mice and we teach children to sing about it.
But Cat Stevens is a poet and one must always listen intently to the words of a great poet for the deeper meaning. There is a philosophical and theological message embedded in these mystical lyrics.
"And if I ever lose my hands ... I won't have to work ... if I ever lose my eyes ... I won't have to cry ... if I ever lose my legs ... I won't have to walk ... if I ever lose my mouth ... I won't have to talk." O.K. Still weird, but is this poet speaking about life on a deeper level?
I hear a vague connection to the words in The Bible that life is more than raiment and more than riches and the true worth of a man is not something physically perceived. We are who we are from within. No one can take away the true worth of a man. The unexplainable essence is spiritual, not physical.
Perhaps Cat Stevens Moonshadow is a reference to his true self. Like an alter ego that is always there even through the darkness of night. The shadow of a man is like his soul. The real you is intangible, like a moonshadow. The physicality of man exists in a three dimensional world, but the shadow of a man is in a sense outside of those dimensions.
I might be way off base here. This is only my personal attempt to understanding one of the oddest lyrics of any song that Cat Stevens has ever written.
If you like Cat Stevens, then you might also check out Ian Kalev Michaels. His music reminds me of that same dynamic style we hear from the earlier albums by Cat Stevens. Just go to http://www.iankmichaels.com where he is offering a free download of some of his music. Kevin O'Connell.
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http://EzineArticles.com/?Pondering-the-Mystery-of-Cat-Stevens-Moonshadow&id=7386225
Friday, November 23, 2012
OPINION: The 5 Best Bob Dylan Songs Of All Time
Dylan at Azkena Rock Festival (Wikipedia) |
Bob Dylan is possibly the greatest singer-songwriter ever, considering the number of the songs he has written and their quality, the mark he has left in music history or the legend he has built around his persona.
It seems that today no journalist would think of challenging his supremacy, and all of his last productions seem to leave them all in awe.
But which are the man's best songs? Let's give this tricky exercise a try, and select what in our opinion are the best Bob Dylan songs.
- "Like A Rolling Stone". You can't get around this one. The lyrics, the flow... Here, Bob Dylan invents "modern rock" with the help of his thin, wild mercury sound. The chaotic instrumentation of the track underlines this story of the decline of a model. Just listen to that incredible organ that ponders through the choruses.
- "Mr. Tambourine Man". In this one, Bob Dylan creates a whole new image for himself: after having been considered as a protest singer, he evolves into the Arthur Rimbaud of American Folk Music and changes the focus of his lyrics from the outside to the inside. "I'm ready to go anywhere, I'm ready for to fade, into my own parade, cast your dancing spell my way, I promise to go under it."
- "Not Dark Yet". Bob Dylan is getting old, with a "sense of humanity [that] has gone down the drain." But he is not dead yet. This song is from what is considered to be the album that sealed his comeback to the forefront of music: Time Out Of Mind. The latter's warm reception actually gives the following line tremendous depth and irony: "I can't even remember what it was I came here to get away from."
- "Love Minus Zero/No Limit". This is the perfect example to remind us that Dylan is not just a fantastic writer of lyrics, but also a great composer of tunes. And that one of the foundations of his art is rhythm. This song gives us one of his career defining quotes: "There's no success like failure, and [... ] failure's no success at all."
- "If You Ever Go To Houston". This song captures what Bob Dylan has always been since he changed the course of popular music: a musician trying to embody the heart of American music. The best line of the song being: "If you ever go to Austin, Fort Worth or San Antone, find the bar rooms I got lost in, and send my memories home."
While most consider that the best Bob Dylan songs belong to the sixties, I think it is clear that the songwriter still has a lot to offer. Keep in mind that his latest album is not entitled"The Tempest" but just "Tempest" ...
If you like real music like Bob Dylan's music, and think that he is not dead yet, than you might also want to check out Frans Schuman. He has recorded his first two albums with just a guitar and a harmonica. Some are folk songs, and some have a slightly different feel. But I think you might like it. Click here to download a copy of his latest single for free.
Cheers, Johnny Clark.
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http://EzineArticles.com/?The-5-Best-Bob-Dylan-Songs-Of-All-Time&id=7335941
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Opinion
Wednesday, November 21, 2012
VIDEO: "Please Be With Me" by Cowboy, with Duane Allman on Dobro
Hi all,
On the anniversary of what would have been the great Duane Allman's 66th birthday. This is a pictorial tribute to the tune "Please Be With Me" by Cowboy, with Duane on Dobro. Duane was a huge influence on guitarists around the world for generations, and will be into the future.
Uploaded to YouTube by randalswede
On the anniversary of what would have been the great Duane Allman's 66th birthday. This is a pictorial tribute to the tune "Please Be With Me" by Cowboy, with Duane on Dobro. Duane was a huge influence on guitarists around the world for generations, and will be into the future.
Uploaded to YouTube by randalswede
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Tributes,
Videos
Tuesday, November 20, 2012
OPINION: The 3 Best Canadian Classic Rock Songs of All Time
Best of Bachman-Turner Overdrive Live (Photo credit: Wikipedia) |
I have often been involved in discussions about what rock songs, from which country, were the greatest. The question of this article is: which are the 3 best Canadian classic rock songs of all time? Here is my list. I suggest that the top 3 are:
American Woman
It is so quintessentially Canadian, given the notion that we live next door to an elephant, that my first pick would be about an American woman. Released in January of 1970, the song, "American Woman" made its way to the top of the Billboard 100 by March. The Guess Who performed and released the song, written by two of its members, Burton Cummings and Jim Hale, on the album of the same name, and as a single.
The song created quite a stir in the United States as The Guess Who toured, and more and more audiences became aware they were a Canadian rather than an American band. The song was viewed by many as being anti-American. The band was anything, but political, as a perusal of their extensive library of music would quickly reveal. They were lovers and not fighters.
Takin' Care of Business
Released as a single by Bachman Turner Overdrive in 1973 and was written by band leader Randy Bachman, formerly of The Guess Who. Bachman Turner Overdrive were forever linked to this song and its signature riff with echoes of the George Harrison riff in The Beatles song Paperback Writer.
According to Randy Bachman, it was the most licensed song in Sony Music's publishing catalogue. Randy is recognized as one of Canada's premiere guitar players and many of the BTO releases are empowered by Bachman's superior guitar skills.
Needle and the Damage Done
Neil Young continues to rock away after decades of fabulous music, this song still resonates as one of his best. The imagery of the damage done by the needle and the idea that "every junkie's like a setting sun" caught the folk-rock world by surprise. The song was written about one of the members of Neil's band Crazy Horse who was an addict.
Neil released Danny Whitten from the band because of his heroin addiction and Danny died of an overdose shortly after. Neil went on to play in some legendary bands including Buffalo Springfield and Crosby, Stills, Nash and Young. Neil is a legend of rock and roll and folk-rock in particular. His songs and albums are legendary in the genre of Classic Rock.
Whether or not you agree with my picks, there can be no argument that these are some of the best Canadian classic rock songs of all time. If you like folk rock songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com.
He has covered traditional folk songs and writes his own folk and rock. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-Canadian-Classic-Rock-Songs-of-All-Time&id=7381331
Sunday, November 18, 2012
OPINION: The 3 Best American Classic Rock Songs of All Time
Bob Dylan in Toronto, 1980 (Wikipedia) |
The proof of the greatness of the classic rock genre can be found in any music store where re-releases of albums from the past with the label "digital re-master" drives the collector to purchase this great music - one more time!
I have often been involved in discussions about what songs were the greatest. The question is; which are the 3 best American classic rock songs of all time? Here is my list. I suggest that the top 3 are:
Like a Rolling Stone
Bob Dylan, in addition to being a prolific songwriter has written songs in multiple genres including rock and roll. Written in 1965 it was the centerpiece of the Highway 61 Revisited album and despite being over 6 minutes long it rose to the number 2 position on the Billboard charts.
The song, with Al Kooper's strong keyboard, the strong guitar groove changed Dylan forever from a folk artist to a force in electric rock music. His folk audience turned on him and Dylan and his electric band were booed by audiences expecting acoustic folk anthems.
Dylan was once more on the leading edge of change and "Like a Rolling Stone" was the vanguard of an electric sound and lyrics that were bitter and sharp on the individual level as opposed to the global. "How does it feel, to be on your own, no direction home, like a rolling stone." Once again, Dylan was at the vanguard of new forms in the music of the baby-boomer generation.
Hotel California
Released as a single by The Eagles in 1977, from the album of the same name, "Hotel California" quickly became one of the most well known songs of that time. Written during a time of excess and success for popular rock bands, this song is a snapshot of that era.
The song was co-written by Don Felder, Don Henley and Glenn Frey. Henley's strong vocals and the superb dual lead guitar work makes Hotel California an exciting and interesting listen for rock enthusiasts.
It held the Billboard chart's number 1 position for a week, was certified gold by the Recording Industry Association of America and received a Grammy Award for Record of the Year. It is also one of Rock and Roll's Hall of Fame for 500 Songs That Shaped Rock and Roll.
Voodoo Child (Slight Return)
With his blazing fingers and ability to portray emotion through his guitar Jimi Hendrix dominated the era of the electric guitar, the classic rock era, and this song allowed Jimi to shown off those monumental talents. It is the last track on Electric Ladyland, Hendrix's third and last album.
It is almost as if he purposely saved the best for last. Artists like Joe Satriani refer to it as the best guitar solo of all time. The melody is based loosely on the great Muddy Water's song "Catfish Blues."
The album also has a longer, jam style version called "Voodoo Chile." Of all the great Hendrix solos, this one trumps them all. Audiences got to hear versions up to 18 minutes in length when they were among the lucky ones who got to enjoy Jimi live and in his prime.
Whether or not you agree with my picks, there can be no argument that these are some of the best American classic rock songs of all time. If you like rock songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com
He has covered traditional rock songs and writes his own. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-American-Classic-Rock-Songs-of-All-Time&id=7381196
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Opinion,
Tributes
Saturday, November 17, 2012
The 3 Best English Classic Rock Songs of All Time
Pink Floyd at Earls Court, 1973 (Wikipedia) |
There were many songs my bands would have liked to play but were too complex for our part time efforts.
I have often been involved in discussions about what songs were the greatest. The question is: which are the 3 best English classic rock songs of all time? Here is my list.
I suggest that the top 3 are:
Stairway to Heaven
Led Zepplin, originally formed as The Yardbirds, became one of the greatest of all English rock bands and "Stairway to Heaven" was their crowning achievement. The song anchored their 4th album which was one of the greatest selling albums in rock history.
Never released as a single, "Stairway to Heaven" is still one of the most heavily requested of all rock FM stations in the world. Jimmy Page eclipsed every other solo he had performed as a member of The Yardbirds or led Zeppelin with the brilliant guitar work in this song.
The song is over 8 minutes long, thus no AM radio release, begins as a slow acoustic style folk ballad and climaxes as a driving, electric, uptempo, rock classic. It would be difficult to find another rock song as intricately woven and musically complex as this one. It rises above them all!
Comfortably Numb
David Gilmour and Roger Waters agonized over the chord progression for this song. Waters wanted the (Bm) (A) (G) (Em) progression and Gilmour wanted the (D) (A) (C) (G) progression. The result is one of the greatest compromises of rock history co-writing.
The verses are in the (Bm) progression and chechorus is in the (D) progression. "Comfortably Numb" is the anchor of the epic "The Wall" album, the crowning achievement for Pink Floyd. The guitar solos of David Gilmour on this song are the best ever delivered by the band and makes it the most memorable of dozens of great Pink Floyd songs.
Imagine
John Lennon wrote or co-wrote many songs with Paul McCartney as a member of The Beatles. This song, at the epitamy of his solo career, is without doubt, the best of his illustrious career as a songwriter and performer. It was the best selling single of his solo career.
The song challenged the listener to imagine a world without organized religion, without a focus on possessions, without war, with a brotherhood of man, living for today. Lennon's humanism and view of a utopian world was all revealed at its best in this classic song.
It earned a Grammy Hall of Fame Award and was inducted into the Rock and Roll Hall of Fame's list of "500 Hundred Songs That Shaped rock and Roll."
Whether or not you agree with my picks, there can be no argument that these are some of the best English classic rock songs of all time. If you like rock songs you might also like to check out Smokin' Joe Wiseman at http://www.smokinjoewiseman.com He has covered rock and folk songs and writes his own. Click here http://www.smokinjoewiseman.com/free_song to download a copy of his latest single for free.
Article Source: http://EzineArticles.com/?expert=Joe_T_Wiseman
http://EzineArticles.com/?The-3-Best-English-Classic-Rock-Songs-of-All-Time&id=7379674
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Opinion,
Tributes
Friday, November 16, 2012
Chick Corea Discography
Return to Forever, N.Y. 1976 (Wikipedia) |
Chick Corea started his recording career back in 1962.
The very first album in the Chick Corea discography was recorded with Mongo Santamaria Afro-Latin Group.
He was twenty one years old.
Chick Corea has played with some of the very best Jazz Musicians around the world which includes: Herbie Hancock, Miles Davis, Stanley Clark, Herbie Mann, Stan Getz and so many more.
His discography spans over six decades with over 80 recordings which is an amazing accomplishment.
Chick was an innovator of blending the jazz sound with the rock sound giving what is known today as fusion or jazz fusion.
One of my favorite collections and probably my first exposure to Chick Corea was the Return to Forever "Romantic Warrior" album. This was the bands best selling album which reached total sales of 500,000. I remembering listening to and it was different but very interesting and stimulating to listen to. The band Return To Forever recorded nine records and had some of the best players like Al DeMiola on guitar and Stanley Clark on bass.
In 1986 Chick formed a band called the Elektric Band and the band recorded eight cd's. "Beneath The Mask" is one of my favorites. It peaked at number two on Billboards Top Contemporary Jazz Albums chart.
From 1967-1974, Chick recorded 11 albums with Miles Davis who was one of the greatest jazz trumpeters ever. It seemed to be a great combination when Chick Corea joined up with Miles Davis. I wish I could have seen it.
Miles Davis album "In a Silent Way" started experimenting with electric instruments (guitar/piano) and continued with those electric instruments in "Bitches Brew". With Chick Corea on electric piano, this became Miles Davis's first gold album and eventually won a Grammy award.
In 1976, Chick made a spontaneous visit to Spain in where he fell in love with the flamenco culture. With that love and the influence of the flamenco culture, he used that blend of Latin-jazz as a theme for the album "My Spanish Heart". One of the songs entitled "Armandos Rhumba" was a tribute to his father. In this song he added a bit of salsa music which is a genre that wasn't embraced until years later. This album had a wide appeal to many.
For kids and those of us who were kids, the Chick Corea discography includes a solo album called "Children's Songs" and he also did the sound track for Happy Anniversary Charlie Brown. Chick recorded a total of nine solo albums.
With such a great discography and decades of musical influence, I don't now of any other musician that has a Best of and a Very Best of album/cd in their discography. Only the great ones do.
Weather you're a fan of Chick Corea Discography or not, there is no disputing that Chick was an innovator and a pioneer for what is now called jazz-fusion.
If you like Chick Corea than you might also want to check out and enjoy listening to Dave Panico. He's a saxophonist that blends, jazz, rock, Latin types of rhythms into his music. Click here to download a copy of one of his songs for free.
Article Source: http://EzineArticles.com/?expert=Dave_J_Panico
http://EzineArticles.com/?Chick-Corea-Discography&id=7374539
Wednesday, November 14, 2012
Guitar Heroes
Clapton, Radle & Allman (Wikipedia) |
So, where did the guitar hero come from?
It seems strange to think that the guitar, pretty much the worlds most widely recognised penis extension, has evolved from the tanbur, the sitar and the lute but hey, that's life.
Fortunately, the story of the guitar hero starts WAY after the story of these instruments and I'm choosing to drop us in at around about the electric guitar's humble beginning - the 40's.
The 40's were the decade that gave us the guitar as we know it today; Les Paul and Leo Fender quite literally carving out a niche in the market with solid bodied electric guitars that were smaller, cheaper and more robust than previous guitars had been, perfect for throwing across a stage and playing behind your head, upside down or inside out.
All that was needed now was a guitarist who could wow and dazzle the masses, someone who was more icon than man - a hero. Luckily instead of one we got about twenty.
Clapton, Allman, Page, Richards, Hendrix, Harrison, Beck, Santana, Knopfler, Ronson, Gilmore, Young, etc etc etc. Guitars just took over. And for good reason, they were loud, fluid and they had the look. To a fledgling generation they were dangerous and a symbol of the counter culture; if you didn't want a job, screw it, just pick up a guitar and change the world.
Unfortunately, it could never last. The self-indulgent nature of the guitarist took over with a greater and greater strangle-hold on the song-writing of the mid to late 70's; stone cold riffs became wet meanderings, the hair cuts becoming ever bigger and the trousers ever tighter. The guitar hero had become the guitar wanker.
But the guitar wasn't licked yet, from the ashes - I can only assume of a flaming guitar that had been played whilst the guitarist hung from a chef's rotisserie on stage surrounded by adoring virgins - the guitar re(de)-invented itself and punk was born.
A new generation of guitarist took over, competing with one another to see who could produce the most abhorrent noise and live the most debauched lives. Joe Strummer and Mick Jones of The Clash; Johnny Ramone of The Ramones and The Dead Kennedys' East Bay Ray are just a few of these 2nd generation guitar heroes who were actively a million miles away from their beatnik predecessors.
For all their differences however, the punk revolution was very much a case of history repeating itself, the punks rebelling against the older generations' tastes just as the hippies had done a couple of decades before and, again, at the centre of it all was the guitar.
It seemed very much that if you wanted to revolt - get a guitar. If you wanted to start a social upheaval - get a guitar. More importantly, if you wanted to be cool and get a girlfriend - get a guitar. Obviously, if you wanted none of these things then you got a bass.
For some however, the punks went too far. I mean there's sparse and stripped back and then there's shit. To solve this, the guitarists decided to invent post-punk and alternative rock.
Punk suddenly had structure and a plan with post-punk bands like Television, Joy Division and Wire, testing where punk and the guitar could be forced but then, when hugely popular once more, suddenly, somehow, the guitar dropped off the map.
It had become uncool and as with most things it was the 80's to blame. Guitars were abruptly too organic, too messy and came with at least 90% not enough chrome attached. Synths reigned and electronic loops took over the mainstream, the guitar surviving - just - with the advent of metal, hair metal and Slash's hair/hat combo.
With a degree of good fortune the alternative rock scene survived also, in colleges and universities, delivering such luminaries as Dinosaur Jr., Sonic Youth, R.E.M. and The Smiths. There was a lot of harking back to genres gone by at this time.
The Smiths and R.E.M. conjured up the jangly pop sounds of The Byrds which could be juxtaposed with the more angular riffing reminiscent of Led Zeppelin found on a Dinosaur Jr. album. There were also the Pixies milling about but they're not comparable to much and let's not even get started on the punk/funk/jazz/folk of the Minutemen.
And so it continued until the early 90's where the guitar took place in yet another sea change and grunge and brit-pop exploded onto the scene, complete with a new set of heroes to be adored.
Of course, with a huge new movement in music a new generation of kids had to be coming of age, this time the 'nevermind' generation were taking over declaring that guitars were good, maybe, but who cares.
Nirvana were huge and so were Oasis, Weezer and Manic Street Preachers, whilst Johhny Greenwood and Radiohead began to take over the world and the lives of another generation of guitarists. The guitar and the guitar hero had come up trumps again.
So, where does all of this leave the guitar standing today? A certain amount of years on and the guitar is still going strong but there seems to be a lack of world changing-ness about the situation or if there isn't, I haven't heard anything to make me change my mind.
I'll wait still, of course, as it is pretty obvious by now that the guitar always has a trick up its neck. God forbid, however, if the latest revolution was that awful, awful game.
Article Source: http://EzineArticles.com/?expert=Dominic_A_Pearce
http://EzineArticles.com/?Guitar-Heroes&id=7364423
Labels:
1960s and 1970s Icons,
1960s culture,
1970s culture,
Flashback,
Tributes
Monday, November 12, 2012
VIDEO: Jimi Hendrix - Dolly Dagger 11 Live @ Rainbow Bridge Maui, Hawaii, USA 1970
Hi readers,
A real treat today, a genuine obscurity. Here's the word from the creator and owner of the IP:
"Sourcing info, to give credit where credit is due: I made this. It is the 25 minutes of Rainbow Bridge Jimi Hendrix footage, 20 minutes of outtakes, and the Strange Day On Maui footage (about 10 minutes), all re-synced to the songboard audio. The songs are full-length, although the film footage is not. The gaps are filled in with Maui footage, 60`s stuff, surfing footage, and Strange Day On Maui footage. The audio is the overdubbed-drums source, the only one available, so the drums are out of sync a bit. It's hardly noticeable though. Hope you all enjoy it.
Uploaded to YouTube by soul rebel
A real treat today, a genuine obscurity. Here's the word from the creator and owner of the IP:
"Sourcing info, to give credit where credit is due: I made this. It is the 25 minutes of Rainbow Bridge Jimi Hendrix footage, 20 minutes of outtakes, and the Strange Day On Maui footage (about 10 minutes), all re-synced to the songboard audio. The songs are full-length, although the film footage is not. The gaps are filled in with Maui footage, 60`s stuff, surfing footage, and Strange Day On Maui footage. The audio is the overdubbed-drums source, the only one available, so the drums are out of sync a bit. It's hardly noticeable though. Hope you all enjoy it.
Uploaded to YouTube by soul rebel
Friday, November 9, 2012
The Beatles' Surprising Contribution To Brain Science
Wordmark of The Beatles, originally painted directly on drum by Erwin Ross, Hamburg (Photo credit: Wikipedia) |
The same brain system that controls our muscles also helps us remember music, scientists say.
When we listen to a new musical phrase, it is the brain's motor system - not areas involved in hearing - that helps us remember what we've heard, researchers reported at the Society for Neuroscience meeting in New Orleans last month.
The finding suggests that the brain has a highly specialized system for storing sequences of information, whether those sequences contain musical notes, words or even events.
But the discovery might never have happened without The Beatles, says Josef Rauschecker of Georgetown University. As a teenager in Europe, Rauschecker says, he was obsessed with the group.
"They were kind of the hot band at the time and I would listen to music while I was studying," he says. "My mother would say, 'Don't do that, you can't concentrate.' "
But Rauschecker ignored her. He says The White Album, Revolver and Rubber Soul seemed to become a part of his teenage brain, and the memory of which songs came in which order never faded. "Years later I would put on one of these old LPs and then you know at the end of one track you immediately start singing the next one," he says, "as if it was all stored in your brain as a continuous sort of story."
That intrigued Rauschecker, who by this time was a brain scientist at Georgetown. He kept wondering which part of his brain knew the order of all those sequences of Beatles songs. "The funny thing is that if you ask me now what comes after 'Michelle' or whatever I wouldn't know," he says. "It's not explicit knowledge. But if you hear it, then you can immediately continue singing it."
So a couple of years ago Rauschecker's lab did an experiment. It had volunteers bring in a favorite CD and lie in a brain scanner. Then the scientists watched what happened as the volunteers listened. Sure enough, there was distinctive brain activity after each track ended. But Rauschecker says the brain activity wasn't where he thought it would be.
To read further, go to: http://www.npr.org/blogs/health/2012/11/08/164101652/the-beatles-surprising-contribution-to-brain-science
Thursday, November 8, 2012
SPECIAL NOTICE: The Beatles Are Back!
The Beatles (Wikipedia) |
Much like humans, music has been evolving since its earliest known incarnation. There have been countless eras defined by particular genres that have gone on to shape the very world we know.
Music is a powerful tool of expression that can be used to overcome almost anything. You can even break down regions of the world based on the music that originated there.
You can connect music to almost anything. What makes us unique is our love for different types of music.
We may like a certain band because their lyrics may mean something special or they may have gotten us through rough times. We may be drawn to a particular style of music because it reminds us of simpler times. It all depends on the person, but one thing is for certain; there is plenty of music to go around.
One of the most important moments in music history occurred in the 60's when the Beatles arrived from the UK. At the time they arrived, the rock and roll scene in America was growing and looking for that next big push.
Before the Beatles hit the States they had taken Europe by storm with a national tour, hit records and thousands of fans. They were now hoping to hit the big time in America and little did they know they would do that and more.
From the moment they arrived, Beatlemania was in full effect. Millions and millions of people watched them on national television skyrocketing them to one of the hottest acts in the country. Before long they had a slew of number one singles and were well on their way to becoming one of the biggest rock and roll acts the world had ever seen.
As the times changed so did the music. Slowly their songwriting got more in depth and tackled some serious issues. The musical style shifted to a more progressive style, experimenting with new sounds and different instruments as well. There was no escaping the Beatles popularity. They really were everywhere you looked. TV, radio, movies they became the faces of rock and roll.
As time wore on the stresses of touring and producing music at such a rate began to take it's toll and the band eventually parted ways. Their legacy had already been cemented in time and they had left their mark on popular culture for decades to come. Even today, millions of people buy their records and cover the hits of the greatest rock band in music history.
Ever since the Beatles disbanded there have been countless tribute bands, shows and productions dedicated to carrying on the legacy they had left behind. From local cover bands to nationally touring musicals to hit Broadway plays.
In a town like Las Vegas, which was built on the success of entertainment, there is one show that pays tribute to The Beatles by recreating their concert experience for today's audience. BeatleShow is the most authentic Beatles concert experience you will find in Las Vegas.
Located inside the Saxe Theater, BeatleShow features a group of the best Beatle musicians in the world performing all of the hits, live. Featuring all of their hits from every one of their top selling albums, Beatles fans young and old will not believe their eyes (and ears) as each era of Beatles music is represented on stage. BeatleShow is the best way to relive the music of the Beatles in Las Vegas!: http://www.2for1shows.com/Las_Vegas_Show_Tickets.cfm?showID=1017
Article Source: http://EzineArticles.com/?expert=Corey_M_Martin
http://EzineArticles.com/?The-Beatles-Are-Back!&id=7363107
Tuesday, November 6, 2012
Bob Dylan In Session - 1961: Nights At The Roundtable
Bob Dylan – the formative grumblings and stirrings of the 60′s Song and Dance Man |
Something special tonight - one of the many radio programs Bob Dylan performed on early in his career.
In the 1950′s and early 1960′s, when FM radio was almost the sole domain of the “audiophile” and the independent station, many programs were devoted to live music - whether it was Jazz or Folk or Classical.
And it was a major factor in getting new artists established to an audience not particularly interested in the mainstream, but interested in what was new.
This session, from July 19, 1961 features Bob Dylan (and a guest appearance from Danny Kalb), is from the program Saturday Of Folk Music from, I think, WNCN.
Here’s what’s on the player:
Saturday Of Folk Music – July 19th, 1961
1 Handsome MollyEnjoy and get ready for Monday.
2 Omie Wise
3 Poor Lazarus
4 Mean Old Railroad
5 Acne
Related articles
- Obama, Springsteen, and Bob Dylan converge on Madison next Monday. (althouse.blogspot.com)
- The Best Bob Dylan Lyrics – And Why (psychedelichippiemusic.blogspot.com)
- Bob Dylan working on Chronicles sequel (guardian.co.uk)
Labels:
1960s and 1970s Icons,
1960s culture,
Flashback,
Tributes
Monday, November 5, 2012
Jimi Hendrix T-Shirts: Find Out Where You Can Get the Best Deal Online
Cover of Gypsy Sun and Rainbows |
When you consider the variety of merchandise available about Jimi Hendrix, for anyone to look for a specific product it would be very convenient to be able to go to a website that provides all this information without any pressure to buy.
You, and you alone will decide whether or not you are ready to spend your money online. That is no concern of mine. However what you should expect to find online, is an honest overview of all the available merchandise.
This article will specifically go into the variety of T-shirts that are available with Jimi's image on them. You can search for the color of the T-shirts, like a purple, light red or even orange T-shirt. Or even more specific, you can search for a T-shirt that shows the name of one of the songs.
For example you could be looking for a Stone Free T-shirt, or one that says Foxy Lady. Another way to find what you need, is to look for the places that Jimi played. We all remember Woodstock or Monterey. There are specific T-shirts available on these subjects.
Now it would be pretty obvious to find a purple shirt that says Purple Haze now wouldn't it? But it's not like that. There are many combinations that you can imagine for colors, names of songs or just a picture of the band on it.
How about a Jimi Hendrix T-shirt of the song Little Wing that shows little wings? Sure, you can find those as well. Popular songs like Foxy Lady or Machine Gun will have their own versions available. And even specific songs from the Band of Gypsies album, like Power of Love can be found on a T-shirt.
Although most of the shirts are short sleeve, you can also find some long sleeve shirts. What I like about the variety available online, is that even though most of the shirts are black, there are also a number of shirts available in different kinds of colors. And to be honest some pictures will look better on a black shirt then for example on a white shirt.
A very special one to me is the army colored shirt with the face of Hendrix on it. Anyone who knows anything about Hendrix and the timeframe he was in, will understand that this shirt is the biggest contradiction you can imagine.
Furthermore there are shirts that represent the different gigs that he did. For example there is Monterey, Copenhagen and of course Woodstock. And since there was a Hendrix tribute tour in 2012, that specific shirt is also available on the Official Hendrix website.
This shirt will show all the 21 gigs that Billy Cox and his friends did to honor this great guitar player. It doesn't get any more special than this!
So if you are looking for a specific Jimi Hendrix T-shirt you can do your search on google or any other browser you prefer. What you will come up with is an overview of online shops that offer the same shirt, for different prices.
So what is the best deal? You will have to compare the quality and look for additional charges for shipping. Do you want to do that? Or do you want to have a selection of shirts available to you in one place?
When you are a true Jimi Hendrix fan you will know where to shop for merchandise. And every now and then a new website will pop up providing you with all the information and links to Jimi you need.
I will gladly provide you with a link to one of those new sites that will help you find the best deal for Jimi Hendrix T-shirts.
Go to the Play Like Jimi official website and look for the Jimi Hendrix T-shirts available online. If you want to see us play live, check out our tourdates. We would love to see you there!
Article Source: http://EzineArticles.com/?expert=Martin_Seij
http://EzineArticles.com/?Jimi-Hendrix-T-Shirts---Find-Out-Where-You-Can-Get-the-Best-Deal-Online&id=7356846
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